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I must admit right up front that I am an avid Walter
Trout fan. Like the old line, if you look up the definition of
blues/rock in the dictionary, it will say “See Walter
Trout.” I first saw him in concert in the late 80’s
when he was one of the lead guitarists in John Mayall’s band
(the other guitarist was Coco Montoya). Mayall would always let his
band play a couple of songs before he came out to join them. I
distinctly remember my jaw beginning to drop when Trout was just
playing some tune-up blues riffs. It was clear from that concert
that he was too great a performer to be the guitarist in someone
else’s band, even it was Mayall, the British father of the
blues. Since that time, I have purchased every recording on which
he played. Needless to say, when his newly released CD
“Relentless” was available this week, I had to buy a
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The entire CD was recorded live in Amsterdam in May of
this year. I truly admire the concept of a live CD with all new
songs. You get to hear the songs performed spontaneously and
untouched by studio manipulation, yet perfectly recorded with all
instruments and vocals clear and “hot.” Trout has
always had a four-piece band with lead guitar, bass, drums, and
organ. Although the drummer and keyboard player have changed over
the years, Jimmy Trapp, the bass player, has been with Trout for
over 10 years. The CD has 14 new songs with most of them between
four and six minutes in length. The songs can be categorized as
follows: two are slow blues, three are somewhat pop-oriented (two
of these featuring acoustic guitar), and the rest are tough &
aggressive blues/rock. Each of Trout’s previous CDs seems to
feature an extended slow blues with intense and emotional guitar
playing and the two on this CD are no exception. Two of the
pop-oriented songs feature acoustic guitar and an opportunity to
appreciate Trout’s excellent vocals in a quieter than normal
setting. The blues/rock tracks are, in my opinion, some of the best
he has recorded. Each has an immediately catchy opening riff. As
always, his guitar playing is extraordinary. I almost run out of
superlatives to describe his playing, but the several that come to
mind are: taste, tone, speed, fluidity, and intensity. On one track
(Empty Eyes), he plays slide guitar, which I don’t remember
hearing him play much, if at all, in previous recordings. And, as
an added bonus, the DVD of the performance will be released in the
Fall of this year.
For me, everything I look for in a great CD comes
together in “Relentless.” Instrumental prowess, great
vocals, recording quality, songwriting, and “attitude”
are all found here. This CD will remain in my player for a long
time to come.
Al Kaplan
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